China Daily

Asia Pacific> Global Weekly> Content
Monday, August 19, 2019, 12:37
Entering a new age of animation
By Xu Fan
Monday, August 19, 2019, 12:37 By Xu Fan

Following the box-office success of Ne Zha, Yang Yu aims to direct an even better movie

Ne Zha, the most successful film this summer, is hailed for bringing a modern touch to its major characters, such as the protagonist Ne Zha, his father Li Jing, his master Taiyi Zhenren, the antagonist Shen Gongbao, and Dragon King. (PHOTO PROVIDED TO CHINA DAILY)

After a road show across 16 cities over 23 days, the director of animation films, Yang Yu, known better by his online nickname Jiaozi, has returned to Chengdu, Sichuan province, where he lives.

Thanks to Ne Zha, the phenomenal hit that has hopped past Disney’s Zootopia to become the all-time highest-grossing animation film in China, Yang has risen to fame seemingly overnight.

As of Aug 7, Ne Zha had seen a box-office haul upward of 2.8 billion yuan (US$398 million) and dominated around 37 percent of the country’s 65,000 or so cinema screens. Going by its current momentum, Maoyan, a box-office tracker and app, has estimated the film will finally touch 4.68 billion yuan.

“I’m not planning any special celebrations,” said Yang, who was born in 1980.

But the film’s unexpected success is pushing him to improve his next movie, he added. He will stay at home to focus on a new script.

Ne Zha, a subversive retelling of the title role’s story from the Ming Dynasty (1368-1644) novel Fengshen Yanyi (The Investiture of the Gods), marks his third film and first directorial feature. The film has struck a chord with many viewers because the protagonist is depicted as an unlikely hero who fights his destiny.

Yang, who has himself struggled for more than a decade in his career, is somewhat of a real-life model for the main role in the film. A native of Luzhou city in Sichuan, Yang was born in a doctors’ family. As his parents thought a hospital job would be stable, Yang enrolled into a pharmacy major at Huaxi Medical College, now affiliated to Sichuan University.

But his fascination for animation, sparked by a recommendation from a fellow student when Yang was in third year at the medical college, changed his life. When most of his classmates chose to work as doctors after graduation, Yang stayed at home for three and a half years to make a short animation film, surviving on his mother’s monthly pension of about 1,000 yuan.

Yang recalls that period was like “living in a space station”, as his routine activities were limited in their small family apartment.

A turning point came in 2009, when Yang’s directorial debut, the 16-minute work See Through, quickly earned recognition after it was released. Aside from online praise, exemplified by a score of 8.7 points out of 10 on Douban, the country’s most popular review aggregator, the film got more than 30 awards in China and outside.

The success prompted him to establish an animation studio in Chengdu, Sichuan’s provincial capital, but in the following six years, Yang struggled to get investors on board to finance a feature-length animation film. 

In 2014, Coloroom Pictures, a subsidiary of Beijing-based studio Enlight Media, reached out to him with finance for a film on the mythological figure Ne Zha.

Hiring around 1,600 members from over 20 animation companies, the film took five years for production, with emphasis on Ne Zha’s new screen image — a boy with crooked teeth and dark circles around his eyes. It was a big change because over the past 40 years, Ne Zha had been played by handsome actors in TV dramas, movies and animation works, following the novel’s original depiction.

“It would have been easy for our animators to paint a handsome face that the audience would like at first glance. But we wanted a breakthrough and wished to convey a message that a person should not be judged by his or her looks. Instead, it’s the internal personality that decides who you are,” Yang explained.

Now with foreign netizens expressing their wish to watch the film, its overseas distribution, which is expected to have English subtitles, is also in negotiation.

“The film mainly targeted domestic audiences when we decided to make it,” said Yang.

But he added that he believes the movie, despite being set in ancient China and studded with Chinese culture and history, will not be difficult for foreign viewers to watch as the characters’ feelings are universal.

An extra scene released with the film Ne Zha that shows Jiang Ziya, another key figure in the ancient novel Fengshen Yanyi, has also stirred debate online. Some Chinese netizens say they hope that the success of Ne Zha ushers in a new franchise inspired by Fengshen Yanyi, evolving as a Chinese answer to the world’s most lucrative superhero series, Marvel Cinematic Universe.


Share this story

Please click in the upper right corner to open it in your browser !